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Series & TV is a film production over at least two consequences comprehensive, completed or not completed, fictional or based on facts act on television.
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The word series comes from the Latin word "series", which can be translated with series order or chain. The definition of television series falls media studies not easy. This is due to the various manifestations of the television series. The more general the term is defined, the more transmission lines shall be deemed series. The most common definition of the television series "is a regularly televised series of programs". For the purposes of this definition, the evening news or the latest sports studio is a series. In the television series then it is a program format of individual fictional broadcasts that are aired more or less regularly within an overall concept. A minimal definition provided Tanja Weber and Christian Junklewitz. "A series consists of two or more components which are held together by a common idea, a theme or a concept and can occur in all media". In contrast to the industrial series production, which provides always identical products are medial series by in some variation of their consequences. Series is the narrative "Resume connection of consequences of fictional television productions". They form a structure of thematically interconnected consequences. The only common feature of all Series is its multi-part.
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Series production is technically divided into episodes and parent scales. (Currently penetrate the terms Episode (Engl. Episode) and Season (Engl. Season = season, recorded season) from the US film market coming increasingly to be synonymous in the German-speaking countries and were in the Duden). can Productionwise therefore the series as a set of all consequences of a television production with common dramaturgical content in the form of action, person, place or other unitary topics are understood. The consequences differ by more or less slight variation of the content. The variation increases the tension and interest in further consequences. Repetitive or consistent elements contribute to the recognition of the series with and enhance the binding of the viewer.
After the radio series had proven to be broadcast format with high binding effect and good environment for radio advertising, this format was adopted on TV. Ironically, a non-fiction series, Meet the Press, has since her debut on November 6, 1947, the oldest television series ever. Gradual about TV series coined out with a specific entertainment themes. Famous Family series like about the middle-class family in Father Knows Best (first episode 3 October 1954 German title: "Father Knows Best") were filmed in 203 episodes, shows like Lassie (September 12, 1954) or Fury (15 October. 1955) presented a pet (dog or horse) in the foreground. The Waltons (September 14, 1972, The Waltons) treated the hard life of an extended family in the Great Depression. Western series Gunsmoke as (April 26, 1952, Gunsmoke), Cheyenne (20th September 1955 Cheyenne), Maverick (September 22, 1957, Maverick) or Bonanza (September 12, 1959) showed the "Wild West", as he has never been. Crime series such as 77 Sunset Strip (October 10, 1958), The Fugitive (September 17, 1963, The Fugitive), Hawaii Five-O (20 September 1968), The Streets of San Francisco (September 16, 1972, the streets of San Francisco) or The Rockford Files (13 th September 1974 The Rockford Files - Just call) applied stress in the household. In the "prime time" had the - internationally highly successful - soap operas Dallas (April 2, 1978) and Dynasty (January 12, 1981, Dynasty) a fixed time slot found. More recently conquered cartoon series such as The Simpsons (17 December 1989) or South Park (August 13, 1997) screens.
Between September 1950 to August 1995 were running over 630 family series on national US networks (ABC, CBS, Fox and NBC), which in the fifties 85, in the sixties 98, 139 in the seventies and 133 between 1990 and 1995.
After the advent of commercial television in Germany from January 1984, the offer has differentiated: While some stations on US series set (for example in Germany kabel eins and VOX), send others a mixture of local and foreign productions (eg ProSieben and RTL ), while others primarily own or commissioned productions (such as the public broadcaster). In addition, the decision for foreign and domestic productions follow the market prices for exploitation rights and production costs.
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